javascript:void(0) June 2011 ~ On Air: The Official Blog of A.I.R. Gallery

Saturday, June 25, 2011

SPECIAL PUBLICATION! After Gerhard Richter, A poster project by Joyce Kozloff

SPECIAL PUBLICATION!   CLICK TO SITE

After Gerhard Richter, A poster project by Joyce Kozloff 


In his original work, Gerhard Richter listed the most prominent intellectuals in world history, only eight of whom were women. Joyce Kozloff's After Gerhard Richter replaces all the male names with women-naming those who have made significant contributions in the same fields, i.e., architects, artists, composers, philosophers, and writer.


To order your posters download the order form, call 732-932-3726 or email womenart@rci.rutgers.edu




The Artist:

One of the founders of the American Pattern and Decoration movement in the 1970s, Joyce Kozloff is an internationally recognized painter, public artist and feminist whose long-term passions have been history, culture and the decorative and popular arts.  Kozloff's intricate designs can be seen in her opulent public artworks made from glass and marble mosaic and hand painted ceramic tiles, her mapped paintings and collages, frescoes, books, prints and installations. Her commitment to the revival of ornamentalism as a source for feminist art, plus her knowledge of art history and culture of Eastern and Western civilizations, place Kozloff among America's more original and engaging artists.

Kozloff graduated from Carnegie Institute of Technology in Pittsburgh, Pennsylvania with a B.F.A. in 1964 and gained an M.F.A. in 1967 from Columbia University in New York. Joyce Kozloff has won numerous awards and honors, including National Endowment for the Arts Fellowships in 1977 and 1985, a Rockefeller Foundation Grant in 1992 and a Guggenheim Foundation Fellowship in 2004.
Her traveling mid-career survey, Joyce Kozloff: Visionary Ornament opened at Boston University in 1986. Crossed Purposes, a traveling two-person exhibition with her husband Max Kozloff, sponsored by the Butler Institute of American Art in Youngstown, Ohio, originated in 1998.. Kozloff's works are included in the collections of The Metropolitan Museum of Art, Museum of Modern Art, National Museum of Women in the Arts, Library of Congress, the National Gallery of Art and Yale University Art Museum.


Joyce Kozloff has taught in many universities, most recently at the Maryland Institute College of Art, where she was the Interim Director of the Graduate Painting Program during 2008-2009.  She has been a member of the Board of Governors at Skowhegan School of Painting and Sculpture in Maine since 1998. (abstracted from:  http://jwa.org/encyclopedia/article/kozloff-joyce )Kozloff recently published a poster to coincide with the Jewish Museum's 2010 Shifting the Gaze: Painting and Feminism exhibit in which she participated. This poster, Naming II: A Feminist and Jewish Renaming of New York City Streets, represents an old map of New York City in which she has replaced the original street names with those of 497 WELL KNOWN Jewish WOMEN. Kozloff says: "In the 90s, I began to notice that everywhere in the world that I traveled, the streets were named after men and we know that whoever names has the power."  The image appears on one side and the list of artists/street names can be found on the back of the poster.


The Poster Project:


Kozloff recently published a poster to coincide with the Jewish Museum's 2010 Shifting the Gaze: Painting and Feminism exhibit in which she participated. This poster, Naming II: A Feminist and Jewish Renaming of New York City Streets, represents an old map of New York City in which she has replaced the original street names with those of 497 WELL KNOWN Jewish WOMEN. Kozloff says: "In the 90s, I began to notice that everywhere in the world that I traveled, the streets were named after men and we know that whoever names has the power."  The image appears on one side and the list of artists/street names can be found on the back of the poster.
The Naming II poster is an antecedent to the After Gerhard Richter Project. In his original work, Richter, a prominent 20th and 21st century artist, listed the greates intellectuals in world history, only eight of whom were women. Kozloff 's After Gerhard Richter replaces all the male names with women-naming those who have made significant contributions in the same fields, i.e., architects, artists, composers, philosophers, and writers. (see attachments for drafts of the poster)


SPECIAL PUBLICATION! After Gerhard Richter, A poster project by Joyce Kozloff  In his original work, Gerhard Richter listed the greatest intellectuals in world history, only eight of whom were women. Joyce Kozloff's After Gerhard Richter replaces all the male names with women-naming those who have made significant contributions in the same fields, i.e., architects, artists, composers, philosophers, and writer. Read more below!


After Gerhard Richter will be published to coincide with a forthcoming retrospective exhibition Feminist Masked Avengers: 30 Early Guerrilla Girls’ Posters/donated by founding member Liubov Popova to the Miriam Schapiro Archives/Rutgers University Libraries/Recent Work by Guerrilla Girls, Guerrilla Girls BroadBand,Guerrilla Girls On Tour!The show will be on view in the Mason Gross Galleries, Rutgers University, New Brunswick, NJ from June 1- July 18, 2011. (In 1985, a bunch of in-your-face posters went up on the streets of New York and all hell broke loose. The Guerrilla Girls were born. Over a hundred posters, actions, books and billboards followed — about art, art history, politics, film, theatre, social issues, pop culture and corruption in the art world. Now, 26 years later, the Rutgers Institute for Women and Art presents an exhibition of early Guerrilla Girls' posters and recent work by the Guerrilla Girls, GuerrillaGirlsBroadBand and Guerrilla Girls On Tour!  This exhibition is curated by Judith K. Brodsky and Ferris Olin, Directors of the Rutgers Institute for Women and Art (IWA).  A Feminist Fete to honor the Guerrilla Girls and to celebrate the 5th anniversary of the IWA is scheduled for Sunday, June 5, 2011 (3-6 pm). The After Gerhart Richter poster will be sold during the exhibit and afterwards by contacting the IWA offices at 732-932-3726.
 

Jill Conner Talks about Vestige: Traces of Reality

 Curator, Jill Conner, talks with member artists and audiences of A.I.R. Gallery about her concept behind Vestige and her process for creating the show. Check it out!

Thursday, June 23, 2011

Blog Review of New York City A.I.R. Gallery Artist Susan Bee and her most recent work

Wednesday, June 22, 2011

A.I.R. fellow, Sam Vernon, co-directs and co-creates "Intersection"


DUMBO IMPROVEMENT DISTRICT AND NYC DOT
KICK OFF SUMMER WITH PUBLIC ART
"INTERSECTION" A MURAL FOR FRONT STREET

On Tuesday, June 21st, the New York City Department of Transportation (DOT) and the Dumbo Improvement District (DUMBO BID) marked the official start to summer with public art. On Front Street, the new mural "Intersection" by the team of Brooklyn artists Heidy Garay, Mikell Fine Isles and Sam Vernon, was installed.

"Intersection," a site-specific piece that is part of the pARTners track of NYC DOT's Urban Art Program, shows lines of seven colors meeting the corrugated vertical lines of the fence behind it. The concept mimics and bends the lines of the fence creating a colorful graphic that symbolizes the constant movement of DUMBO. The design is an abstracted interpretation of intersecting train tracks and the familiar New York City subway map and also references the cross-sections of cultures and people who view it. While the mural was directed by Garay, Isles and Vernon, they were joined by fellow Brooklyn-based artists and friends bring the mural to life from their workshop in Red Hook Studios. To learn more about the mural-making process and the artists, visit intersection-mural.tumblr.com.

"Today, we are thrilled to see Front Street brightened again with this colorful mural. This installation is yet another example of the community bringing life out into the streets and public spaces through the arts," said Alexandria Sica, Executive Director of the DUMBO BID. "Front Street is divided in half by the Manhattan Bridge - and a retail corridor exists on both sides - full of independent boutiques, bookshops and galleries. The mural links both sides of the neighborhood and is a testament to the creative tradition for which DUMBO is known. We are thankful for DOT's commitment to public art."

"Intersection" is the second mural commissioned by the Dumbo Improvement District to enliven the neighborhood. In 2007, the Dumbo Improvement District approached NYC DOT about the Front Street Mural Site, identifying the fence as a prime location for public art. In February of 2008, a colorful mural, "Nature Matching System," by Malaysian-born artist Tattfoo Tan was installed. The Front Street mural site was the DOT Urban Art Program's first project.

About the Dumbo Improvement District

The Dumbo Improvement District is a 501(c)(3) non-profit organization dedicated to enhancing and promoting DUMBO, Brooklyn. The Improvement District showcases DUMBO as a world class destination, advocating on behalf of DUMBO's businesses, property owners and residents.

The organization provides supplemental sanitation services, marketing, economic development, neighborhood programming and long-term planning. Find the Dumbo Improvement District on Facebook (www.facebook.com/dumbo.bid) or Twitter, (www.twitter.com/dumbobid) or please visit www.dumbonyc.org.

The Dumbo Improvement District manages DUMBO's Business Improvement District (BID) an area bounded roughly by York Street, Bridge Street, Old Fulton Street and the waterfront.

About the New York City Department of Transportation's Urban Art Program: As part of DOT's "World Class Streets" initiative, the Urban Art Program works with community-based and not-for-profit organizations to install murals, sculptures and other art forms in plazas and on City bridges, medians, triangles, sidewalks, jersey barriers and construction fences around the City for up to 11 months. For more information, visit www.nyc.gov/dot.

About the Artists

Heidy Garay

Heidy is a designer based in Brooklyn NY. A graduate of Parsons School of Design (2003 BFA in Illustration), she is currently working on her Master's Thesis in Industrial Design at Pratt Institute.

Her work is inspired by nature, her urban environment and the ability of objects to tell a story and leave an impression on a person's psyche.

In her current work she seeks to explore the intersection between art and design.

Mikell Fine Iles

Mikell is a graphic designer based in Brooklyn, NY. He is currently Director of Design at noise - an interactive marketing agency specializing in product innovation for young adults.

While growing up in the culturally diverse Mission district of San Francisco, Mikell became fascinated with the music, murals, and graffiti that engulfed the world around him. He uses this inspiration to find visual solutions for a range of well known clients.

Sam Vernon

Samantha Vernon is currently Development and Marketing Manager of Contemporary Art for BRIC Arts| Media |Bklyn. She graduated from The Cooper Union for the Advancement of Science and Art in 2009 with an award for Excellence in Drawing.

Vernon is a 2010-11 A.I.R. Emerging Artist Fellow and recipient of the A.I.R. Emma Bee Bernstein Fellowship. Her first solo exhibition, Think On It-Then Lay It Down For Good was recently on view at A.I.R. Gallery March 29 - April 24, 2011. Her work will be on view this year in three upcoming group exhibitions at The Wassaic Project, Skylight Gallery, and Lesley Heller Workspace.


Image credit: Doneliza Joaquin

Carolee Schneemann: A Solo Reading


The St. Mark's Bookshop Reading Series is proud to present:
Carolee Schneemann: A Solo Reading
Tuesday, June 28th at 7PM

Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle, edited by Kristine Stiles & Carolee Schneemann (Duke University Press)

Creator of such acclaimed works as the performance Meat Joy and the film Fuses, for decades the artist Carolee Schneemann has saved the letters she has written and received. Much of this correspondence is published here for the first time, providing an epistolary history of Schneemann and other figures central to the international avant-garde of happenings, Fluxus, performance, and conceptual art. Schneemann corresponded for more than forty years with such figures as the composer James Tenney, the filmmaker Stan Brakhage, the artist Dick Higgins, the dancer and filmmaker Yvonne Rainer, the poet Clayton Eshleman, and the psychiatrist Joseph Berke. Her “tribe,” as she called it, altered the conditions under which art is made and the form in which it is presented, shifting emphasis from the private creation of unique objects to direct engagement with the public in ephemeral performances and in expanded, nontraditional forms of music, film, dance, theater, and literature.

Carolee Schneemann is a multidisciplinary artist whose painting, photography, film, video, performance art, and installation works have been shown at the Los Angeles Museum of Contemporary Art, the Whitney Museum of American Art, the Museum of Modern Art, the Centre Georges Pompidou (Paris), the National Film Theatre (London), and Anthology Film Archives. She is the recipient of a Lifetime Achievement Award from the College Art Association and the author of Imaging Her Erotics – Essays, Interviews, Projects; More Than Meat Joy: Performance Works and Selected Writings; and Cezanne, She Was A Great Painter.

The reading will take place at:
St. Mark's Bookshop – 31 Third Avenue (at 9th Street) – New York, NY 10003
For more information please visit the shop, call (212)260-7853 or email: stmarksbooks@gmail.com

FUCK WAR!!!

Art Production Fund & The New Museum Presents:

After Hours - Murals On The Bowery
CLOSING July 7, 2011

Judith Bernstein's FUCK WAR!!! is on display at 272 Bowery.
Mondays - Saturdays after 5pm, Sundays all day!

FUCK WAR!!! is also available as a Prop Art, sold at The New Museum and selected venues.

SIGHT unSEEN vol.2

Join SOHO20 Chelsea Gallery and curator Jennifer Wroblewski for SIGHT unSEEN vol.2, the second in an ongoing series of gallery tours through the Chelsea arts district of New York City. SIGHT unSEEN encourages the examination and discussion of art by women and hopes to share with the public the myriad of provocative, inquisitive, and engaging works by women artists. This month's tour will feature works by Sally Smart, Jessica Rohrer, and Louise Bourgeois.

Jennifer Wroblewski, born California, 1973, is a visual artist, curator, and professor. Her work consists of monumentally scaled drawing and drawing installation projects which explore the relationship of the expressive mark to written language, the relationship between performance and product, and historical aspects of drawing technique and language.

Wroblewski's curatorial interests include the relationship between motherhood and art-making and the ways in which artists navigate this fraught terrain.

Her drawings and curatorial project were included in the feminist art survey The M Word: Real Mothers in Contemporary Art. In 2009/2010, she curated the exhibition Mother/mother-* at A.I.R. Gallery in Brooklyn.

This tour is FREE and open to the public!

The tour will commence at 2pm at Postmasters Gallery, and culminate at SOHO20 Chelsea just before 4pm for a reception with light refreshments and a brief talk by artist Monica Bock.

Other galleries featured in the tour include Cheim and Reid and P.P.O.W.

To RSVP and receive a complete list of galleries and addresses please email the gallery at soho20@verizon.net or call 212.367.8994

Friday, June 17, 2011

Vestige: Traces of Reality, curated by Jill Conner



@ A.I.R. Gallery, June 22 – July 16, 2011
@ Konsthallen, Sandviken, Sweden, June 18 – July 23, 2011

A.I.R. Gallery is pleased to announce, “Vestige: Traces of Reality,” a two part exhibition at A.I.R. Gallery and Konsthallen, Sandviken, Sweden.  The exhibition is curated by New York based critic and curator, Jill Conner and includes the work of 20 A.I.R. Gallery artists.  The opening reception at A.I.R. Gallery will be held on Thursday, June 23 from 5:30pm to 8pm, with a talk by the curator at 5:30pm.

Since 1976, only two years after A.I.R. opened its doors, the gallery has presented groundbreaking exchange exhibitions with groups of international women artists from France, Israel, Japan, Hungary and Sweden.  Following last year’s exhibit of Swedish women artists, A.I.R. Expedition Sweden, the gallery is now pleased to offer the companion exhibition, Vestige: Traces of Reality.

Artists included in the exhibition: Susan Bee, Liz Biddle, Sigrid Burton, Daria Dorosh, Regina Granne, Nancy Lasar, Jisoo Lee, Jeanette May, Louise McCagg, JoAnne McFarland, Catherine Mosley, Ann Pachner, Sylvia Netzer, Sheila Ross, Ann Schaumburger, Barbara Siegel, Francie Shaw, Elisabeth Munro Smith, Joan Snitzer and Nancy Storrow.

About the curator: Jill Conner is an art critic and curator based in New York City. She is currently the New York Editor for Whitehot Magazine and writes for other publications such as Afterimage, ArtUS, Sculpture, and Art in America.

Anne Percoco, Field Studies

June 22 – July 16, 2011

A.I.R. Gallery is pleased to announce Field Studies, an exhibition of new work by 2010-2011 A.I.R. Fellowship Artist Anne Percoco. The opening reception will be held on Thursday, June 23, from 6:00 to 8:00 PM

.

In her solo show, Percoco aggregates found representations of nature to create composite landscapes and faux natural formations. She also presents plans for a public project.

Anne Percoco earned her B.A. from Drew University in 2005 and her M.F.A. from Rutgers University in 2008. In 2009 she completed an Asian Cultural Council fellowship for work in India. There, she realized one solo show, at Chitrakala Parishath College of Art in Bangalore, as well as three public projects. In 2010 she was artist-in-residence with Residency Unlimited. She has shown at venues including the DUMBO Arts Festival and BRIC Rotunda Gallery, both in Brooklyn; the Arlington Arts Center in Arlington, VA; Exit Art in Manhattan; and the U.S. Botanical Garden in Washington D.C. She lives and works in Jersey City. This is her first solo show in New York. For more information, please visit www.annepercoco.com.

Wish You Were Here 10

Affordable Art Exhibit to Benefit A.I.R Programs for Women Artists
June 22 – July 16, 2011

We cordially invite you to join us on Wednesday, June 22 from 6pm to 8pm for the opening of Wish You Were Here 10. The proceeds from this exhibition of postcard-sized works benefit the A.I.R. Fellowship Program for Emerging and Underrepresented Artists

and other programs that serve our mission to advance the status of women in the arts.

The exhibit includes affordable works by more than 350 artists including Dotty Attie, Mimi Gross, Christopher Knowles, Joyce Kozloff, Linda Montano, Yoko Ono and Barbara Zucker.

Please note the sales of works is first come first serve.

The pieces are priced at $45 to $120 depending on size.

Wish You Were Here 10 also highlights “Cairns Birdwing,” a mixed media piece by Michelle Stuart, and “Flocked Red Cherry”, an exciting early piece by A.I.R. Gallery Founder, Judith Bernstein. These larger works will be available through silent auction. Please visit the gallery or contact 212 255 6651 or Info@airgallery.org to bid on a work.

View a selection of available works CLICK HERE.

View list of all participating artists CLICK HERE

We are also pleased to be drawing the winners for the Studio Visit Lottery during the reception on June 22 at 7:30pm. We hope you can join us!


A.I.R. Gallery was founded in 1972 as the first artist–run, not–for–profit gallery for women artists in the United States. A.I.R. Gallery would like to thank all the artists who made this exhibition possible.

A.I.R. Gallery is located at 111 Front Street, #228 in the DUMBO neighborhood of Brooklyn. Gallery hours: Wed. – Sun., 11am to 6pm. For directions please visit www.airgallery.org. For more information please contact Gallery Director, Julie Lohnes at Jlohnes@airgallery.org

Wednesday, June 15, 2011

Epic DUMBO Stoop Sale

The 3rd Annual Epic DUMBO Stoop Sale returns to The Archway on Saturday, June 18 from 11am to 4pm. A great opportunity to find new homes for your gently used items! DJs from halcyon will be spinning throughout the day and at 2pm there is a dance party with DJ Kai.
aricoco is having a table there, selling small art and used clothes and all other fun stuff!!! She will be also asking people to donate for "HELP IWAKI CITY" project at the table.

You will find more information by clicking here.

Construct

Alumnae member Jennifer Williams is participating in a group show called "Construct".

An Exhibition by CFEVA Career Development Program Fellows
Curated by Amie Potsic

Utilizing the grand scale and unique feel of the Icebox Project space, CFEVA’s Career Development Program Fellows exhibit large scale site-specific installations, sculpture, printmaking, painting, drawing, photography, video, and performance. Fellows exhibiting are: Noah Addis, Arden Bendler Browning, Lewis Colburn, Don Edler, Laureen Griffin, Jordan Griska, Ana B. Hernandez, Mami Kato, Allison Kaufman, Daniel Kornrumpf, Maggie Mills, Tim Portlock, Alison Stigora, Jennifer Williams, Kimberly Witham, and Bohyun Yoon.

These artists address a diverse range of issues and ideologies through a variety of materials and presentation strategies. Issues surrounding public space, urban development and decay, repurposing materials, and life and death are explored in surprising ways. Additionally, artists push the boundaries of artistic tradition through unusual and unexpected approaches to traditional genres such as still-life and portraiture. Lewis Colburn will be seated atop a 15 foot wooden tower where he will be typing War and Peace by Tolstoy during a performance at the opening reception. Tim Portlock will exhibit large scale prints of decaying urban cityscapes created using 3D gaming software. Alison Stigora will exhibit a looming sculpture made from burnt wood swirling 13 feet into the air. And, Kimberly Witham will show photographs of still life’s she has created with dead creatures and décor.

June 17 – June 29, 2011
Opening Reception & Performance: Friday, June 17th 6 - 8pm

Location:
The Icebox at The Crane Arts Building
1400 North American Street
Philadelphia, PA 19122

http://www.cranearts.com/?p=3274

Deadline "Illegitimate and Herstorical" extended!

The deadline of our open call Illegitimate and Herstorical has been extended July 1st. If you haven't applied yet, you have another chance!

Illegitimate and Herstorical, an exhibit on alternatives in art, love, power, knowledge and community.
Curated by Emily Roysdon

A.I.R. welcomes an open interpretation of the theme.

ABOUT THE CURATOR: Emily Roysdon (1977) is a New York and Stockholm based artist and writer. Her working method is interdisciplinary and recent projects take the form of performance, photographic installations, print making, text, video, curating and collaborating. Roysdon recently developed the concept "ecstatic resistance" to talk about the impossible and imaginary in politics. The concept debuted with simultaneous shows at Grand Arts in Kansas City, and X Initiative in New York. She is editor and co-founder of the queer feminist journal and artist collective, LTTR. She is a contributing member with the band MEN. Roysdon completed the Whitney Museum Independent Study Program in 2001 and an Interdisciplinary MFA at UCLA in 2006. Roysdon's work has been shown at the 2010 Whitney Biennial, Greater NY at PS1, Manifesta 8, Bucharest Biennial 4, Participant, Inc. (NY); Generali Foundation (Vienna) and New Museum (NY). Her writings have been published in numerous books and magazines, including the Journal of Aesthetics and Protest and Women & Performance: a Journal of Feminist Theory.

For applying online or for a print out application please visit our website HERE.

Kira Greene participates in two group shows

Former A.I.R. Fellowship artist Kira Greene is participating in two upcoming exhibitions;

BRONX CALLING: The First AIM Biennial
Guest Curators: Wayne North Cross and Jose Ruiz

Sunday June 26 - Monday September 5, 2011
Bronx Museum, 1040 Grand Concourse @165th Street
Opening Reception: Sunday, June 26, 2:00-6:00pm

"Bronx Calling: The First AIM Biennial" features sculptures, works on paper, video installations, photographs, and other works by the 72 participants in the 2010 and 2011 AIM program. On view at the Bronx Museum and Wave Hill, the Bronx Museum's Artist in the Marketplace (AIM) program has advanced the careers of hundreds of artists over the last three decades. The exhibition is accompanied by a comprehensive 124-page fully illustrated catalogue featuring essays by Wayne North Cross, Jose Ruiz and Christian Viveros-Fauné. For more information and the full list of AIM artists, please refer to the full press release.

Group Exhibition: CROSS CURRENTS

TOGONON GALLERY, 77 Geary, Second Floor, San Francisco, CA 94108
June 16 through July 16, 2011
Opening Reception: Thursday, June 16, 5:00 - 7:00pm

Group Exhibition: Cross Currents is a first-time gallery exhibition that showcases contemporary works of three artists from Asia, juxtaposed with works of four Asian-American artists. The American artists include Kira Greene, Grace Munakata, Ben Needham and Mitsu Okubo, and the international Asian artists include, John Chang, Norberto Roldan and Gerardo Tan. The goal of the exhibition is not to present an in-depth survey, but rather, to showcase an initial effort to explore how current global art aesthetics, socio-political events, rapid communication, and technological advances have influenced art making for these seven artists.

Friday, June 10, 2011

Before You Go: With drawings by Susan Bee, dedicated to Emma Bee Bernstein

Artcritical.com published a piece about and accompanied by Charles Bernstein's poem Before You Go, with images by Susan Bee.


"Susan Bee writes: Charles wrote the poem in July and August of 2010, while we were traveling and on vacation. In August in Provincetown, I read the manuscript of the poem and decided to set excerpts from the poem. The pages published here are my settings of lines from the poem, with hand drawn and collaged elements and with lines that are also hand lettered. ..."

To read the whole article, the poem and see the images please click HERE.

Image: Emma Bee Bernstein, Self Portrait with Change Machine and Pearls, 2006. Courtesy of Janet Kurnatowski Gallery

Interview with Susan Bee by Tom Winchester


Sovereign Nation published an interview between Tom Winchester and Susan Bee about her current show Recalculating at A.I.R. Gallery.

"Susan Bee‘s Recalculating at A.I.R. Gallery in Brooklyn examines all of art history through a postmodern lens: as if its most epic battles were appropriated then compressed onto a canvas in a style that is similar to the way that David Salle, Nicole Eisenman, and Cindy Sherman have created their compositions. Without losing her style to a sea of reproductions, Bee maintains Recalculating as an exhibition of paintings that makes its two distinct themes battle each other in order to expose their tenuous theoretical commonalities. On the surface ironic fairy tales of domestic disputes and shattered windows build a film noir representative of today’s sobered ideals. Below the surface is a painterly, Bauhaus-inspired formal deconstruction that sometimes hides beneath objects that are fully rendered. The paintings’ formal tension reflects their dissonant narratives, creating a universality that art aspires to.

..."

To read the whole article please click here.

Thursday, June 9, 2011

Group and Solo show

Fellowship artist Anne Percoco has work in a group show at the Purposeful garden, opening tomorrow, June 10th.

FIGMENT Festival
Curated by Christine O'Heron
Governors Island, NY (How to get there)
Friday, June 10, 10:00 AM to 4:00 PM
Saturday, June 11 & Sunday, June 12, 10:00 AM to 6:00 PM
(I'll be there all day Friday and the end of Sunday)

Artists: Caitlin Berrigan, Fabian Grateroles, Anne Percoco, Junko Sugimoto and Edina Tokodi "Mosstika".

She also has her first solo exhibition coming up at A.I.R. Gallery, which is called
Field Studies.

June 22 to July 16
Reception: Thursday, June 23, 6:00 to 8:00 PM.

For more information go to our website www.airgallery.org

A.I.R. Gallery
111 Front Street, Brooklyn, NY
Just one stop from Manhattan on the A, C, and F lines.

Bloodsisters

Women's film series presents "Bloodsisters"

For Gay Pride month the Women's Film Series presents Michelle Handelman's "Bloodsisters". The film will be followed by a conversation between the filmmaker and author\activist Sarah Schulman.

This controversial film was attacked in congress in the mid-90s by the American Family Association for it's depictions of radical lesbian sexuality. Tonight's screening celebrates it's re-release by the Tribeca Film Institute. From pushy bottoms to macho femmes, Bloodsisters is an A-Z documentary guide that takes an in-depth look at the San Francisco Leatherdyke scene during the mid-nineties, shattering assumptions about gender and lesbian sexuality. "A ground-breaking documentary!" Time Out, New York.

Michelle Handelman is a 2010 Artist Fellowship recipient of theNew York Foundation for the Arts (NYFA). This presentation is co-sponsored by Artists & Audiences Exchange, a NYFA public program, funded with
leadership support from the New York
State Council on the Arts (NYSCA).

Price - FREE!

Event date:
Friday, June 10 2011 : 7:00pm - 8:30pm

The Center
208 w. 13th St.
NYC 10011.
212-620-7310

Millenium film screening

Millenium invites you to a film screening featuring work from Sarah Pucill, 8PM JUNE 11 (Sat.).

'Those Deep Approaches', Sarah Pucill for the Lux by Cherry Smyth;
'I defy you to find those deep approaches
Where no ordinary air is.
The tough wound plucks itself.'

from Swimming in Circles in Copenhagen, Anne Carson (1)


Sarah Pucill has been building a body of extraordinary experimental work for over two decades. Often working with a minimal crew and her home as studio, Pucill has managed to create striking and profound films that ring with her own distinctive signature, exploring the self portrait and also the aesthetic dialogue between still photography and live action film. In her early short films, she delights in staging the little catastrophes of intimacy that often go unnoticed or unacknowledged...

On PHANTOM RHAPSODY: Distinctive in its stark use of black and white and reminiscent of early silent cinema, this film is composed of a series of theatrical side-show magic acts. Three women stage tricks of appearance and disappearance, punctuated by trumpet, cello and drums.

Interchanging between the roles of magician, nude and filmmaker, they perform the preparation of an image and the prepared or completed image, drawing on iconic paintings. 16mm camera techniques as well as performance techniques with props - such as cloaks, drapery, curtains, wigs, mirrors, frames, wands and lighting - determine what is visible or absent in the film frame. With its surrealist sensibilities of artifice and reality and insistence on doubling and substitution, PHANTOM RHAPSODY probes the notion of identity as surface that can be worn or shed and which can extend beyond the boundary of the skin, into the light in the room, the set and the props.

More information can be found on http://www.millenniumfilm.org/.

Millennium
Film Workshop, Inc
66 East 4th St.
New York, NY 10003

Saturday, June 4, 2011

'Illegitimate and Herstorical' deadline coming up!

This is to remind you to the upcoming deadline June 15th for our open call Illegitimate and Herstorical curated by Emily Roysdon. An exhibit on alternatives in art, love, power, knowledge and community. A.I.R. welcomes an open interpretation of the theme.

Emily Roysdon (1977) is a New York and Stockholm based artist and writer. Her working method is interdisciplinary and recent projects take the form of performance, photographic installations, print making, text, video, curating and collaborating. Roysdon recently developed the concept "ecstatic resistance" to talk about the impossible and imaginary in politics. The concept debuted with simultaneous shows at Grand Arts in Kansas City, and X Initiative in New York. She is editor and co-founder of the queer feminist journal and artist collective, LTTR. She is a contributing member with the band MEN. Roysdon completed the Whitney Museum Independent Study Program in 2001 and an Interdisciplinary MFA at UCLA in 2006. Roysdon's work has been shown at the 2010 Whitney Biennial, Greater NY at PS1, Manifesta 8, Bucharest Biennial 4, Participant, Inc. (NY); Generali Foundation (Vienna) and New Museum (NY). Her writings have been published in numerous books and magazines, including the Journal of Aesthetics and Protest and Women & Performance: a Journal of Feminist Theory.

For more information or to apply, please go to our website, click HERE.

Friday, June 3, 2011

Studio Visit Lottery

We want to remind you that the deadline for Studio Visit Lottery Entry is June 10th! You can win a studio visit by;

Dorian Bergen is the co-owner of ACA Galleries in New York City. ACA, founded in 1932, specializes in 19th & 20th century American & European Art & Contemporary Art.

Charlotta Kotik, is an independent curator and was a curator at the Brooklyn Museum since 1983. She has worked at the Jewish Museum, the National Gallery, Prague’s National Institute for Preservation and Reconstruction of Architectural Landmarks, and the Albright-Knox Art Gallery.

Robert C. Morgan is an internationally renowned art critic, curator, artist, writer, art historian, poet, and lecturer. Robert Morgan is the author of some 2000 essays and reviews, and is contributing editor to Sculpture Magazine, Asian Art News, The Brooklyn Rail, and New York correspondent for Art Press (Paris).

For more information about this opportunity please visit the Studio Visit Lottery page on our website by clicking HERE.

Wednesday, June 1, 2011

Charles Borkhuis on Susan Bee's pop neo-expressionism

Charles Brokhuis wrote a short piece about Susan Bee's current exhibition Recalculating at A.I.R. Gallery.

"The stark, self-contained faces in Susan Bee's paintings accent a subjective interiority adjacent to the space of others that is in sharp counterpoint to the ominous menace that hangs over the coming events. There were no screams or facial displays of emotion surrounding these "desperate hours," but rather a deep dwelling in mood that somehow distances the subject from her "fate."
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Artists take different approaches to light, color in Earlville exhibit

This is the title of a review Katherine Rushworth wrote about A.I.R. member Jisoo Lee's exhibition Light and Color Plus at the Earlville Opera House Art Galleries.


"Lee, whose seven paintings are in the East Gallery, creates deliberately ambiguous images that suggest, but don't confirm the figure, landscape and parts of the body. The oil on canvas paintings range in size from 24 inches by 36 inches to 48 inches by 60 inches and seem to glow from within, as if backlit by the sun.
Color is the starting point for Lee and she chooses the colors based on the power of their association -- red equals anger, the devil; blue equals melancholy, the ocean. What you see is fine with her. She recognizes that we bring our own interpretations and reactions to the colors and forms before us and the deliberate ambiguity of the images encourages us to use our imaginations.
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