javascript:void(0) October 2010 ~ On Air: The Official Blog of A.I.R. Gallery

Sunday, October 31, 2010

Mary Beth Edelson at the MAC: "There is Never Only One Game in Town"


One of A.I.R.'s early members, Mary Beth Edelson, is presenting selected works with  McKinney Avenue Contemporary (the Mac) and Deborah Colton Gallery in Dallas, Texas. Curated by independent curator Liutauras Psibilskis, "There is Never Only One Game in Town" runs from November 6th till December 12th 2010. The opening reception is Saturday November 6th, 5:30 - 8:00 pm.

A member of A.I.R. from 1975 until 1983 and internationally known for her groundbreaking art, Edelson is showing work in three mediums: painted drawings, collage mural, and video installation.

At the entrance of the gallery is the video installation Making Eye Contact, which invites the viewer to hold the gaze of another. The walls of the gallery will hold a large-scale mural collage, a visual representation of the history of the feminist revolution. The painted drawings are a selection of 42 pieces from 1981-1997 on exhibit for the first time.  Using her distinct style of appropriation and humor, Edelson's work creates new signifiers and meanings out of archetypal imagery.

For more information please visit:

Deborah Colton Gallery 

OUTPOST NYC DCG 
http://www.outpostnycdcg.com

The McKinney Avenue Contemporary ( MAC)

Opening Reception: Saturday, November 6th 5:30 - 8:00 PM.
November 6 - December 12, 2010

Mary Beth Edelson at the MAC: "There is Never Only One Game in Town"

Saturday, October 30, 2010

Memorial for Sylvia Sleigh

Portrait of Sylvia Sleigh by Judy Cooper
Former A.I.R. artist, Sylvia Sleigh passed away on October 24th, 2010 at the age of 94.

Sylvia Sleigh was born in Llandudno, Gwynedd, Wales in 1916. Sleigh studied Fine Arts at the Brighton School of Art in Sussex, England and in 1953 her first solo exhibition was held at the Kensington Art Gallery. In 1962, she relocated to New York City with her husband, author and curator, Lawrence Alloway.

In the following years, Sleigh established herself not only as an influential and prolific artist, but also as a vital part of the Feminist Art Movement. In New York City, Sleigh was intimately involved with the first two galleries in the U.S. specifically aimed at exhibiting the work of women artists; in 1973, Sleigh co-founded SoHo 20, and joined A.I.R. Gallery in 1974.

For Sleigh, feminism was a source of “intense freedom of expression,”[1] and functioned as an avenue for both artistic development and social change.

In a 2007 Interview Sleigh explained, “I asked my mother, ‘Do you believe men and woman are equal?’ and she said ‘No’ and I asked, “Do you think you are inferior to men?’ and she said ‘No.’ Then I asked her about me and she said: ‘Well, you’re not equal.’ So that was my beginning of feminism.”[2]

Annunciation 1975

Sleigh is famed in part for her large-scale paintings of male nudes in poses typically reserved for those such as objectified female odalisque. Sleigh did not simply return the ‘male gaze’ or deride the sexual objectification of women in art. Rather, with own her vivid palette and unique style of portraiture, Sleigh created a new gaze that mirrored her own sense of the equality of all human beings. In her portraits, Sleigh ultimately reflected the simple humanity of her many subjects, in all their intellectual, emotional, sexual, and social complexity, whether nude, clothed, old, young, male, or female. The two words that Sylvia Sleigh herself chose to describe her work were “love and joy.” This is the radical legacy that Sleigh leaves to us.

Since the 1960’s, Sleigh has been the subject of hundreds of publications on art and politics. Her work is held in numerous permanent collections including the Art Institute of Chicago, the National Portrait Gallery of London, and the Everson Museum of Art (Syracuse, NY). Her work has been exhibited widely including solo and group exhibitions at SoHo 20, The Hudson River Museum, I-20 Gallery, A.I.R. Gallery. Most recently she had a solo exhibition at Freymond-Guth & Co. Fine Arts in Zurich, Switzerland. In 2008, Sleigh was awarded the College Art Association’s Distinguished Artist Award for Lifetime Achievement and in 2011 she is selected to receive the Women’s Caucus for Art’s Lifetime Achievement Award.


 

[1] Sleigh, Sylvia. “Love and Joy” (2007). http://www.sylviasleigh.com/wack.html
[2] Sleigh, Slivia. Art Interview Online Magazine. August 20, 2007. http://www.art-interview.com/Issue_008/interview_Sleigh_Sylvia.html

Upcoming Exhibitions Opening Nov. 4th!

Hi Everyone, 

Three amazing exhibitions are opening next Thursday at A.I.R. from 6-8pm [111 Front St.  #228 Brooklyn, NY 11201].

Gallery 1: Redux, a solo sculpture exhibition by Sylvia Netzer.  
In Redux, Netzer exhibits  monumental sculptural work from her 1996  and a series of new large-scale pieces collectively entitled Wall Necklaces. Formally and conceptually both works are a grouping or community of “individuals” that agromulate together for a common good.
Wall Necklaces consists of sculptural elements formed from ceramic units that are contrasted with a variety of other materials. Necklaces has indents that allude to generative lines or microscopic pathways of communication. With these microscopic pathways, Netzer incorporates what she refers to as a “parallel form of biology”.


This is a image of the process in Sylvia's studio.

Gallery 2: What We Forget to Remember by Joan Ryan  
Ryan’s paintings and drawing use nostalgic images of childhood that crash into present day realities. Using interiors decorated with recognizable contemporary imagery of adolescence, class pictures and children’s drawings, these idyllic memories interact with the paraphernalia of war. There is an implicit freedom in the scribbles that spill from drawings taped onto whimsical walls decorated with tanks and guns – but harsh truths also loom in the content of the drawings. This conflict aims to questions our desire for a fictitious past and reveals the complexity of our cultural identity and actual heritage.  



Gallery 3: Luisa Sartori, Circles, Triangles and Then...  
Circles, Triangles and Then…, is a collection of works on paper, drawings, and wood panel pieces
which reflect the artist’s enduring fascination with geometry throughout her recent bodies of work. 

Geometry helps us both make sense of the complexity of forms occurring in nature and generate the forms of our built environment. The latter process is most clearly witnessed by ornamental motives and decorative patterns across the most diverse cultural traditions and periods.

Rya

Thursday, October 21, 2010

A.I.R. Gallery Fellowship Program


Established in 1993, the A.I.R. Gallery Fellowship Program aims to provide under-represented and emerging women artists with a visible gallery space and the opportunity to building relationships with other experienced artists and art professionals. By removing the financial responsibilities of membership, the Fellowship Program includes a young and diverse group of women artists. Six new fellows are selected annually by a panel of outside curators, critics, and established artists. 


The Fellowship Program is tri-fold in nature. Throughout the 18-month program, panelists visit fellowship artists' studios in preparation for a solo exhibition at A.I.R. Fellows are also given the opportunity to develop and implement a public program or special project during their tenure. 
Fellows also work with A.I.R. and member artists on ongoing programs, projects, and events. 


The program is structured to give the involved artists the opportunity to develop their work in preparation for a solo show, to build relationships with other artists and arts professionals, and to learn about not-for-profit gallery operations. They leave the program with a series of naturally forged relationships, experiences, and skill sets that are useful in continuing their careers as visual artists

To find out more about the 2010-2011 A.I.R. Fellowship Program, as well as information on how to apply click here. The Submission deadline for A.I.R. Fellowship application deadline is October 30, 2010 at 11:59pm.

Juliana Leite at Saatchi Gallery


A.I.R. Fellowship Artist, Juliana Leite, is one of the artist in the group exhibition NEWSPEAK: BRITISH ART NOW  at the Saatchi Gallery. The exhibition runs until January 16, 2011 so if you are in London, or will be soon it is definitely worth a trip. Also be sure to check out Juliana’s profile on the Saatchi website.

Sunday, October 17, 2010

Making Arrangements: the milk glass mandala

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Video and images from the opening reception of Crit Streed's Making Arrangements: The Milk Glass Mandala. 10/7/10






work is on view at A.I.R. Gallery from October 7-31, 2010.

Making Arrangements: the milk glass mandala

Friday, October 15, 2010

A.I.R. Mail Autumn 2010

CURRENTLY ON EXHIBITION TILL OCTOBER 31ST

Gallery I - Louise McCagg Contact, a large-scale floor installation, hanging structures as well as a large aluminum sculpture. McCagg has constructed a floor installation modeled after molecules adn cells, illustrating both a micro and macro cosmos.  Each sculpture carries McCagg's signature forms: shrunken heads cast from friends and family members. These are position as "linking knots" for the rods that form each pentagon. The second large-scale piece continues the same schema, this time as a suspended installation. The molecules adapted as hanging sculptures; large pentagon-shaped objects carry cast aluminum heads at intervals with wooden rods. Contact also includes a tall standing sculpture of the same materials. Here, the reduced facial forms interlock with the rods creating the impression of growing tree branches. For this new series, McCagg explores vertical human forms that have a sense of rigidity and pride.
Contact (detail), bronze, 2007.
 Members of AIR Gallery met with Louise McCagg to discuss her installation
"Contact." (Louise is pictured on the lower right wearing a red sweater)
Louise is a long-time member of AIR Gallery.

Gallery II - Barbara Roux Birds Grow on Trees is an installation of sculpture, photographs and narrative text. Roux continues her engagement with wild habitat niches on the verge of suburban New York. An active conservationist and combined- media artist, she utilizes her experiences working daily in wild areas to create works that are layered with meaning. This exhibition focuses on a small forested, wetland cove on the north shore of Long Island.  Themes of natural history and preservation are subtly woven through this exhibition of works that create a time, place, evidence of an event and emotional connection. The site is brought into the gallery space through sculptures consisting of altered but not disguised elements from the forest.
House of Leaves, digital photograph, 2006.

Gallery III - Crit Streed Making Arrangements Somewhere between an analytic impulse and intuitive reflex Streed quietly dresses the interior of a small room. Vintage milk glass gathered
over the past ten years is the muse for this video/object interaction. A mandala emerged and a video projects an image of a woman relentlessly seeking an arrangement of two chairs. A shared practice of shape shifting becomes a human blend of otherwise disparate actions, a crossbreeding of desired perception and a yearning for resolution. Getting it right is often just trying to get there.  The forms suggest functionality but in actuality most pieces were relegated to a display surface. From early American style to bio-morphed modern design, milk glass came into the home primarily through gift giving. This could render some wives and mothers either helpless to avert the deluge or numbed by the assault but often caught up in the frenzy of collecting more. Vases, goblets, vinegar cruets, ashtrays all poised, were rarely called into action but profuse in many homes. The constant shuffling and repositioning on tabletops and in display cases was a means to finding the perfect arrangement.
Crit Streed
A.I.R. GALLERY IN THE NEWS
“Alternative Histories” open till November 24th 2010 at Exit Art at 475 Tenth Avenue in NYC. A.I.R. Gallery is included in the show. The exhibition is about the history of alternative spaces in New York.  Exit Art phone is 212-966-7745.

NEW YORK MEMBER’S NEWS
DARIA DOROSH, artist and designer, just launched a one of a kind fashion house with a social, economic and environmental agenda named Fashion Lab in Process. Daria presented her work at the American Folk Art Museum Branch Gallery on September 10, 2010 in NYC.

NANCY LASAR will have six pieces in a group show titled “Artists Teaching Artists” at Western Connecticut State University in Danbury, CT.  The show was curated by Darby Cardonsky and includes work by Wolf Kahn.  It is on view from October 18 through November 23, 2010. The Opening Reception is October 28 from 4-7pm.

JEANETTE MAY begins teaching at International Center for Photography, ICP, in New York City this autumn. For anyone interested in current trends in photography” her course is “From Deadpan to Directorial: Contemporary Photographic Practices”.
BARBARA SIEGEL has her work featured in a short video “Pinus Strobus” by Augusta Palmer and will accompany a pillow Barbara has made for the upcoming A.I.R. sponsored “Pillow Culture” exhibit. Barbara is now in Seoul, Korea teaching a course in drawing at the Sungshin Women’s University for both the Western and Oriental Painting Departments.

FELLOWSHIP ARTIST’S NEWS

KIRA GREENE has her work in a number of shows.  She is in “Radial Patterning” at the Cheryl McGinnis Gallery at 555 Eighth Avenue in NYC through October 9, 2010.  Kira is in “Memento Mori: Contemporary Vanities” at the Ann Street Gallery, 104 Ann Street in Newburgh, NY now through October 30, 2010 and she was in “Show Untitled” at Thaddeus Kwiat Projects in Saugerties, NY this summer.
Archway to Happiness, Kira Greene in the exhibition "Memento Mori: Contemporary Vanities"

ANNE PERCOCO presented an interactive sculpture in late September 2010 weather providing at the Dumbo Arts Festival in Brooklyn, NY. Anne is finishing up her Residency with Residency Unlimited and will be in a show called “I Broke It, I Borrowed It, I Stole It” on the Lower Level of Stephan Stoyanov Gallery. The address is 29 Orchard Street in NY.  Then on October 3, 2010 from 2-5pm Anne will be part of “Barter Town”, an art event for the public organized by Heather Hart for Art in Odd Places.  It will take place on the southwest corner of 14th Street and Avenue C in NYC. Anne will be in a group show titled “Convergence” at Lumenhouse at 47 Beaver Street in Brooklyn, NY from October 16 through December 12, 2010.  This is in coordination with Project Vortex and highlights artists who transform plastic debris.


NATIONAL MEMBER’S NEWS

PHYLLIS EWEN is in “The Space Between” collaboration with Denise Bergman, poet from October 4 - November 1, 2010 at Marran Gallery of Lesley University in Cambridge, MA.  The Opening Reception is October 5 from 4:30 – 7:00pm. A poetry reading will take place on October 12 from 7 – 8:30 pm.  Phyllis was also part of the “Maud Morgan Art Center Faculty Show” at the Fay Chandler Gallery, 20 Sacramento Street in Cambridge, MA.


KATSURA OKADA exhibited her work in Japan this summer.  Over 1000 people came to visit the “5th Blue Sky Project exhibition” at the Civic Gallery in Nigata, Japan which closed in August, 2010. It then traveled to the Imai Museum of Art Mitsuke City, Nigata, Japan.  There was also wonderful press.

ALUMNAE NEWS
LEILA DAW is in three events in Connecticut.  She is in the group show “Festival Exhibition” at Artspace, 50 Orange Street, New Haven, CT through October 23, 2010. Leila was part of Open Studios in New Haven on September 25, 2010.  Leila’s work is in a 4 person show titled “Earth & Sky” at Loomis Chaffee School’s Mercy Gallery in Windsor, CT now through October 27, 2010.


MARY MAUGHELLI is in a Residence at Dorland Mountain Arts Colony in Temecula, CA for two weeks working on collage paintings on paper and canvas.


OPPORTUNITIES
Ansel Adams Research Fellowship at the University of Arizona Center for Creative Photography.  Application Deadline is 10/29/10.

Art in General in NYC has a yearly Open Call in the fall. Check out their website and sign up for mailing list.



An Evening for Jasmine


A.I.R. Gallery will host a memorial event on October 20th, 2010 from 6pm – 8pm in honor of artist, friend, and former A.I.R. intern Jasmine Valentina Herron. On September 11th, 2010 Jasmine was tragically caught in a traffic accident while riding her bicycle down Atlantic Avenue in Brooklyn.


Originally from Colorado, Jasmine moved to Calgary, Canada in 2006 to study at the Alberta College of Art and Design. Jasmine flourished at ACAD, and was deeply involved in both Calgary’s artistic and feminist community. A self-described feminist, Jasmine had tireless ambition in making the world a more enlightened, just, and equal place. During her 4 years in Calgary, Jasmine hosted feminist art shows, created a feminist book club, and organized viewings of feminist documentaries, in addition to her work as an artist. In the Fall of 2009, Jasmine was the recipient of the prestigious Teatro New York Studio Prize in Fine Art. The Teatro Prize brought Jasmine to New York, where she attended the New York Studio Residency Program and served as intern with A.I.R. Gallery.


Jasmine was so encouraged and inspired by her time in New York that she returned to the city after graduating in May 2010 with a degree from the ACAD Fibre Department. Jasmine’s many accomplishments at such a young age deeply moving and inspiring, and she was looked to as a role model – woman, artist, feminist – by many in her community. Jasmine had planned to visit her friends, family, and partner in September. Please join us in memorializing the remarkable life and work of Jasmine Valentia Herron. The memorial will include a screening of many of Jasmine’s incredible video works.


A.I.R. Gallery is located at 111 Front Street, #228, in the DUMBO neighborhood of Brooklyn.  Gallery hours: Wednesday – Sunday, 11am to 6pm.  For directions please see www.airgallery.org.  For additional information, please contact Kat Griefen at A.I.R. Gallery at 212-255-6651 or kgriefen@airgallery.org.


Wednesday, October 13, 2010

OurGoods.org launches! | live barter event on November 13th

Dear maker of independent work,

This is an invitation to join a group of artists, designers, and craftspeople on www.OurGoods.org. OurGoods is a website that connects creative people who barter skills, spaces, and objects. Use OurGoods to get your project done in a community that runs on mutual respect.


More about OurGoods: 

Want to meet us in person and find people to barter with? We're hosting an idea party and barter matchmaking event on Saturday, November 13th at EFA Project Space. We'll help you brainstorm about your project, organize your NEEDS and HAVES, and connect you to potential barter matches.

Saturday, November 13th from 3-5:30pm
EFA Project Space www.efanyc.org
323 West 39th Street, 2nd Floor

3pm: Idea Party (led by Erin Marie Sickler)
Up to 10 participants (per group) will present ideas to one another in the following fashion: "This is what I want to do:_________; here is my obstacle:_________." Please send your idea/goal and obstacle to RSVP@ourgoods.org by November 10th.

4pm Live Barter Matchmaking
We'll map the HAVES and NEEDS of everyone in the room and connect potential barter matches. RSVP is required! RSVP@OurGoods.org

Co-sponsors: The Elizabeth Foundation for the Arts, Exit Art, F.E.A.S.T., The Field, Lower East Side Printshop, and Smack Mellon.

Friday, October 8, 2010

THE 9TH A.I.R. GALLERY BIENNIAL

CALL FOR ENTRIES
Entry Deadline: NOVEMBER 20, 2010

A Juried Exhibition Open to All Women Artists


Juror: ALEXANDRA SCHWARTZ, MoMA; Montclair Art Museum Alexandra Schwartz is the Coordinator of the Modern Women’s Project at the Museum of Modern Art, a curatorial initiative to increase scholarship on women artists. She is the co-editor of Modern Women: Women Artists at The Museum of Modern Art and co-curator of Mind and Matter: Alternative Abstractions, 1940 to Now at MoMA. In November she will begin a new position as Curator of Contemporary Art at the Montclair Art Museum.
Eligibility: All women artists, including self-identified women, may submit any original work of art. Painting in any medium, photography, prints, drawing, work on paper, new media, sculpture, mixed media, traditional or non-traditional materials are welcome.
How to Enter:
(1) Apply Online or
(2) Download the applicationand mail it, along with your images or video and $35 entry fee, to:
A.I.R. Gallery
9th Biennial Exhibition
111 Front Street, #228
Brooklyn, NY 11201



Application/Entry Fee: Each application must be accompanied by a US $35 non-refundable entry fee for a minimum of three images. Images should be of three different works or art you want considered for the exhibition. You may submit as many images of different work as you like. Additional Images, including details, are $5 each.
FOR VIDEO SUBMISSIONS ONLY: Submit your video online or on DVD. All videos must be less than 3 minutes long and can contain one piece or excerpts of up to 3 pieces.
If you are submitting a paper application include your video on DVD. Please make sure that DVD is playable both on a computer and a DVD player. We do not accept VHS or beta format.
If you fill out an online application, submit your video online by uploading your video on a video sharing web site such as YouTube, and entering the url in the online application. Please make sure that you enter your url correctly.
Exhibition Dates: March 2 - 27, 2011. Opening Reception held on Thursday, March 3 from 6pm to 8pm.
Delivery of Work: All work accepted for the exhibition must arrive at the gallery framed and/or ready to hang/install. Work may be shipped via FedEx, UPS, or U.S. Mail. Return postage must be provided for unsold work. Work may also be hand delivered during gallery hours

Thursday, October 7, 2010

Video Interviews

On the last day of her show, Annette Rusin did a short interview on  Road Work, her site specific installation that explores the human compulsion for grooming and resurfacing.


 

Here are some images from Annette's pop-up performances, "Road Work Interventions." She made a loop around DUMBO starting at her studio at 10 Jay Street and strategically located a series of 3 Road Work signs around the neighborhood. The grand finale was drilling the sign to a giant pile of wood on Washington Street in DUMBO.




Regina Granne hosted an event at the gallery Artist as Witness: Words on War in connection with her exhibition Planes. This exhibition focuses on war and its consequences in her paintings, drawings and small paper sculptures. Her works witness without words. She invited three poets and one writer to read from works that investigate and dissect the nature of war. In this clip is Regina's introduction and poetry read by Richard Levine.